con Sara Drago, Giovanna Ginex
Italia, Svizzera, 1h33, v.o. italiano
NOTTI VENEZIANE
Fernanda Wittgens entra a Brera nel 1928. Durante la guerra salva le opere d’arte e, per il suo impegno antifascista, viene incarcerata. Dopo la Liberazione è artefice della rinascita di Brera e difende un’idea di museo accessibile a tutti. Nonostante questo, dopo la morte viene dimenticata. Da questa assenza nasce il dispositivo del film: attraverso l’attrice Sara Drago e la storica dell’arte Giovanna Ginex, i registi costruiscono uno spazio collaborativo in cui memoria, interpretazione e presente si intrecciano. Fernanda, pur invisibile, diventa una presenza viva.
Fernanda Wittgens joined the Brera Museum in 1928, and after a few years she was its director. Courageous and visionary, during the war she saved artworks from the bombings, aided political opponents of Fascism and Jewish families in fleeing the regime, and was imprisoned for her actions. After Italy’s liberation, she rebuilt the Brera and championed its being open and accessible to one and all. Yet despite her groundbreaking policies, she was forgotten after her death. This film seizes on that absence. Calling on the actress Sara Drago, who lends her face and voice to Wittgens in her letters, and the art historian Giovanna Ginex, the filmmakers create a collaborative space in which the past, the present, and their interpretations are intertwined. Fernanda, albeit invisible, is a living presence.
scheda a cura di LongTake